蓝球大小分多长时间: 坂茂!集裝箱!紙管!

案例來源:
//inhabitat.com
所在國家:
日本 
用途:
  • 展示
  • 商業

双色球蓝球1遗漏80期 www.ilobv.icu 案例詳情:

【介紹】

集裝箱和紙管——集成房屋大師坂茂為您呈現一個令人驚嘆的移動博物館

游牧博物館(The Nomadic Museum)是設計大師坂茂的又一力作,這個作品將設計師對待工作的一絲不茍,以及他無與倫比的天賦還有綠色設計融為一體,為人呈現出一個不可思議的移動博物館。該博物館由148個廢舊集裝箱以及大量的紙管搭建而成,它最大的特點是有攝影大師格里高利·考伯特的攝影作品展——《塵與雪》,這個設想數年前就在二人腦海中形成,到如今的展出,不僅展現格里高利的天賦異稟,還要贊嘆大師坂茂對這一創新設計的精確掌控,可謂是強強聯手。

考伯特早在2000年就與坂茂商量這一構想,直到這一概念成型落實已過了十多年,期間一直在不斷改進。博物館的外墻結構,由集裝箱按照一種棋盤模式擺放而成,在箱體間插入大量的PVC管材,用來支撐一張大型PVC膜制成的屋頂。這個人字形屋頂還有個特點:膜下的框架由紙管和金屬管組成。

博物館內,迎面是兩排直徑為76厘米的紙柱,給人營造出一種身臨教堂大殿般莊嚴肅穆的感覺,每根柱間都掛著考伯特的攝影作品。為了指引游客前行,一條木質小道可以作為主要觀光通道,它由廢棄的腳手架重新打磨而成,道路兩旁則鋪滿鵝卵石。

盡管這個構想一直不曾發生改變,但會根據其選址不同進行結構上的調整。在紐約54碼頭時,該建筑是一個長達294米、正門敞開的畫廊,在末端播放著藝術家的電影。在圣塔莫尼卡,建筑的造型則是兩個并排的畫廊,是一個有著蝶形屋頂的巨大“H”,而在東京展出時的造型就比較簡單。所需的集裝箱大多在當地租用,不過一些特定的結構需要兩地間的海運。盡管坂茂這次的創作是將自己以前的集裝箱建筑和紙管建筑混合起來,但這一“合體”依舊受到了廣泛的贊譽。


【原文】

Shigeru Ban uses shipping containers and paper tubes to create a surprising mobile museum

The Nomadic Museum by Shigeru Ban combines the architect's talent for meticulous work and green design into one incredible traveling exhibition. Using 148 shipping containers and massive paper tubes, the architect created a museum to feature a photography exhibition called Ashes and Snow by Gregory Colbert. The idea has been years in the making and exhibits not only Colbert's talent, but Ban's mastery of innovative architecture.

Colbert originally contacted Ban in 2000 with the idea and the concept finally came to fruition after several years of evolving. The exterior walls of the structure are made up of shipping containers placed in a checkerboard pattern. In between the shipping containers are pieces of PVC supporting a roof made out of a large PVC membrane. Pediments constructed of paper and metal tubes accent the exterior.

Inside, 30-inch paper columns create a cathedral-like nave where the photographs hang. To help guide circulation, a path was constructed out of wood that was re-used from construction scaffolding, with river rock making up the rest of the floor surface.

Though the general concept remained consistent, the construction of the building changed depending on where it was located. While in New York on Pier 54, the building was one long 963-foot gallery with an opening on one end for showing the artist’s movies. In Santa Monica, the space consisted of two side-by-side galleries configured like an “H” with a butterfly roof. Tokyo featured a similar configuration. The shipping containers were mostly rented locally, but some were used to ship the structure between locations. And although the artist received mixed reviews on his exhibition, critics raved about Shigeru Ban’s design. 

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